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Showing posts from April, 2023

TV Index: Capital & Deutschland 83

1)   Introduction to TV Drama 2)   Capital: CSP case study and analysis 3)  Capital: Marxism and Hegemony 4)  Deutschland 83: CSP case study and analysis 5) Postmodernism and Deutschland 83 6) TV: Industry contexts

Television Industry Contexts

Independent: British viewers can't get enough of foreign-language dramas 1) What does the article suggest regarding the traditional audience for foreign-language subtitled media? Fifteen years ago, if you'd mentioned to a colleague that you'd spent Saturday night glued to a subtitled European drama, you'd have been quietly declared pretentious, dull and, possibly, a little odd. Skip to today and foreign-language dramas aren't even on-trend, they're fully mainstream. 2) What does Walter Iuzzolino suggest is the key appeal of his 'Walter Presents' shows? "Truthfully, I think it's simply down to the material," says Iuzzolino. "What filtered in before was mostly for a small, dedicated community of people who loved their intellectually complex cinema. Now we see shows that are populist and successful; we're tasting what people like us love in other countries, not something niche. Plus there was the advent of the 'box-set binge'

Postmodernism & Deutschland 83

  Media Magazine -  A Postmodern Reimagining of the Past 1) What were the classic media representations of the Cold War? The classic media representations  of Cold War-era Germany often fit a stereotypical binary ‘good vs evil’ The Cold War – the state of tension and hostility between the Soviet bloc countries and the West from 1945 to 1990 has inspired a series of film and media texts within the spy genre. These texts often present the East and West as binary opposites through codes and conventions. The communist East is presented grey and stark, no billboards, culture or entertainment and strict limitations of citizens’ movements and availability of certain foods (e.g. coffee and bananas). The capitalist West, in contrast, is a world of department stores, restaurants and cars, pop-culture and entertainment and free movement. 2) Why does Deutschland 83 provide a particularly good example for postmodern analysis?  Deutschland 83  is an example of a text that reimagines the past by blur